"Three nights I sat up all night drinking absinthe, and thinking that I was singularly clear-headed and sane."

Tuesday 25 February 2014

The waiter came in and began watering the sawdust.The most wonderful flowers, tulips, lilies and roses, sprang up, and made a garden in the cafe. “Don’t you see them?” I said to him. “Mais non, monsieur, il n’y a rien.” - Oscar Wilde

I've been collecting a lot of unusual essential oils recently and it occurred to me that whilst everyone is going to see notes like "rose, jasmine, nutmeg" and have a good idea of what a perfume will smell like, not everyone is going to be quite so sure when they see "sweet gale, zanthoxylum, styrax." So I've decided to start doing a regular blog to chat about these more uncommon scents and what you can expect from them. And since I'm road testing a wormwood perfume today, that seemed the perfect oil to start with!

Although, actually, you're probably already familiar with artemisia absinthium - it's an ornamental plant used in absinthe and a few other spirits like bitters and vermouth. Absinthe, of course, was the darling drink of the 18th century Parisian arts scene, reputed to be dangerously addictive due to one of the chemical compounds in the plant, thujone. This wicked reputation lead to the drink being banned in America and parts of Europe. During the temperance movement, one critic claimed that:

Absinthe makes you crazy and criminal, provokes epilepsy and tuberculosis, and has killed thousands of French people. It makes a ferocious beast of man, a martyr of woman, and a degenerate of the infant, it disorganizes and ruins the family and menaces the future of the country.

Since then it's been proved that the so-called psychoactive properties of absinthe were greatly exaggerated, but it's fair to say absinthe has retained its mystique.

But back to the essential oil. For me, there's definitely some truth to the idea of this being addictive. The smell is so unusual - clear, bold, with hints of aniseed and fennel - I can't help sniffing it over and over. Although it's primarily herbaceous, there's just something very...dessert-like about it to my nose, a certain syrupy quality that tempers the bitterness. It really is utterly unique among my herbal essential oils, and is surprisingly versatile despite it's strong, distinct scent. Generally speaking, herbaceous/medicinal oils go well with other herbaceous oils, as well as earthy, woodsy notes. Wormwood definitely loves its fellow herbs and can play well with certain floralsWormwood with beeswax and woodsy notes? A dream. I haven't tried it with chocolate yet, but I'm pretty sure it would create the most amazing gourmand experience (maybe that's because wormwood was once believed to be an appetite stimulant?).

So what can you expect from a perfume with wormwood notes? Well, I'll start by saying that I only use a minimum of wormwood in the perfumes I've made with it so far. Despite the fact that the dangers of thujone were overstated, it is true that prolonged inhalation of wormwood oil can cause headaches and nobody wants that from a perfume oil. So if you want a real "absinthe" perfume that truly captures the licorice-like fragrance of the drink, I'd actually advise trying one of my absinthe fragrance oil blends. But in The Expert Dreamer, you'll find the smidge of wormwood gives a tangy, musty note to the incense and floral notes of the perfume, and when Merricat becomes available, you'll see the combination of wormwood and tea rose turns a regular floral into something much darker and more intriguing. This is the magic of wormwood: you don't need a lot of it. Certain oils just work best when they're invisible - lending depth and edge to other notes, rather than standing out on their own.


Happy Birthday to Me!

Thursday 6 February 2014


Well, I must confess, when I opened Common Brimstone Fragrances in February last year, I had no idea what a massive part of my life it would become. One year on, I'm so proud of how far I've come and I'm so happy to have connected with other perfume fanatics across the world and shared my creations with you all.

To celebrate Common Brimstone's first birthday, I'm giving you guys a present. There will be a one-day sale on February 21st - 15% off everything. That's everything - solid perfumes, perfume oils, the Raw Brimstone line, even sample sets! So if you've been wanting to try something new, it's the perfect day to do it. Here's to another year!

“We are all like the bright moon, we still have our darker side.”

Wednesday 5 February 2014

voraorn
Kahlil Gibran

A fun fact you might not know about me: I write werewolf novels. I love werewolves! Anything to do with the folklore, mythology, history and fantasy of shapeshifting and werewolves, I'm all over it. You'll see it creeping into my perfume-making as well as my writing - it's an endless font of inspiration for me.

One side effect of this (aside from owning an awful lot of terrible films), is that I've spent a lot of time learning about the moon. A few years ago I noted in a vague sort of way that each full moon of the year has it's own name in American folklore, and I filed that away as something that might be cool to work into a story some day. I haven't managed that yet but I am making those names into perfumes this year!

In January I launched Wolf Moon and next week I'll be added February's full moon fragrance, Snow Moon, to the shop. And then you'll have Crow Moon, Pink Moon, Blood Moon...I'm particularly looking forward to Strawberry Moon, myself. The beauty of this project is the challenge of trying to tie several themes together: each fragrance corresponds to a particular time of year that may or may not be reflected in the full moon name (one of March's full moon names, for example is the Worm Moon). Figuring what combination of scents will capture not only the moon name but also the time of year and the month itself has been both fun and frustrating (I'm still not 100% settled on the notes for Red Moon, but luckily that's months away!). 

I knew for Wolf Moon I wanted something evocative of late winter and wilderness, so it was easy to pick a base of cedar wood, pine, and violet leaf - fresh, woody, green notes. Because of the wolf connection I added in a good pinch of musk for that feral, animalistic hint. I originally chose to finish with blue tansy because it lent a very foggy, misty depth to the blend, but once I got to the test stage, I realised it needed something extra to bolster the green and wood notes. A smidge of dark patchouli did the job perfectly.

February's Snow Moon was more of a challenge. What scents evoke the feel of snow and the slow approach of Spring? I could have gone minty for a clean, fresh feeling - and initially I planned to make Snow Moon very spearmint-orientated - but it didn't feel quite right to me. I started instead with chamomile essential oil and a "fresh air" fragrance oil that made for a very brisk but somewhat bland scent. I added in Peru balsam to give it a rich, almost nutty note to conjure up a sense of fresh-turned forest loam - something deep and earthy and ready for new growth. And to give it that green feel I think an "it's almost Spring" perfume needs, I dropped in some bay and rosemary. Finally, because I was still feeling Snow Moon needed something a tiny bit minty, I added in wintergreen (also known as teaberry), which really boosts the balsam and herb notes. Perfection! I can't wait to share this one with you - I've used a lot of oils you haven't seen in my collection yet and I think Snow Moon is pretty unique in its overall mood.
Arvind Balaraman
And that's just January and February! I've still got ten more full moon fragrances to introduce to you and, better yet, all these moons have more than one name, so if this idea proves popular there are still plenty more themes to explore.

So keep an eye out for future full moon fragrances, launching (naturally) on the full moon of each month of 2014! Hope you enjoy them as much as I do :)